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The Model 1150 Masterbay S Mastering Interface from SPL is a processing hub where you can connect up to four stereo processors, and add additional and orderly control to the mastering and audio sweetening process.
When it comes to mastering, a patchbay is not always enough: even for experienced users a simple comparison of different processors or processing paths can become a headache.
The new SPL MasterBay S can manage up to four stereo processors comfortably and its fascinating possibilities allow you to get the best results out of your equipment.
The classic patch bay allows you to easily route signals between different signal sources, processors and other audio gear. All connected devices can be tapped at any point in the signal path by simply making the adequate connections in the patch bay. This can be very practical when working on projects, since you can set up the audio path according to a specific production without having to change anything until the production is finished; this is frequently the case during mixdown.
However, in the mastering stage, the needs of an engineer often go well beyond this. Even a direct A/B comparison between two processors or two different signal paths can prove unfeasible with a patch bay, often resulting in the need for loudness compensation after processing, comfortable fine adjustment of input and output levels (level matching),or an adequate level control to dynamically fade the signal.
The MasterBay S fulfills all of these requirements and goes even a couple of decisive steps forward. Its all-in-one simplified yet flexible switching and control functions make it easier to achieve the best results with the available equipment. Innovative and pragmatic functions, conceived to simplify and improve the comparison process, give you a qualitative edge in mastering applications while saving time.
Using the MasterBay S as the central interface for all your hardware gear mimizes the actual conversions taking place, regardless of the number of processors used. Due to its engineered quality, the MasterBay S not only pampers the signal, but also becomes a key element in the audio production stage where it is put to use.
Its cutting-edge and clever features on the one hand and state-of-the-art conception and manufacturing on the other, make the MasterBayS a typical SPL unit — innovative, handmade premium quality from Germany.
- Four switchable inserts
- Parallel Mix function
- Automatic A/B comparison with freely selectable intervals
- Loudness compensation
- Trim potentiometers for all input and output levels
- Big level knob for dynamic fading
- Always reduces signal conversion to the minimum
- All audio signals are controlled directly by reliable relais switches and potentiometers - no sound-compromising DACs or VCAs
|Inputs and Outputs||Differential amplifier, electronically balanced/transformerless Sockets - Main Input: XLR, |
Insert Return 1 to 4: XLR
DAW Return: XLR Nominal input level: +4 dBu
|Input Impedances||Main Input: ca. 20 kOhms unbalanced, ca. 40 kOhms balanced|
Insert 1 Return: ca. 20 kOhms unbalanced, ca. 40 kOhms balanced
Data above applies if inserts 2 and 3 are not active.
If inserts 2 and 3 are active, input impedance depends on the units connected to inserts 2 and/or 3.
Insert 2 Return: ca. 20 kOhms unbalanced, ca. 40 kOhms balanced
Data above applies if insert 3 is not active.
If insert 3 is active, input impedance depends on the units connected to insert 3.
Insert 3 Return: ca. 20 kOhms unbalanced, ca. 40 kOhms balanced
Insert 4 Return: ca. 20 kOhms unbalanced, ca. 40 kOhms balanced
DAW Return: ca. 20 kOhms unbalanced, ca. 40 kOhms balanced
|Output Impedances||Rec. Output: ca. 75 Ohms unbalanced, ca. 150 Ohms balanced|
Insert 1 Send: ca. 75 Ohms unbalanced, ca. 150 Ohms balanced
Insert 2 Send: ca. 75 Ohms unbalanced, ca. 150 Ohms balanced
Data above applies if insert 1 is not active.
If insert 1 is active, input impedance depends on the units connected to insert 1.
Insert 3 Send: ca. 75 Ohms unbalanced, ca. 150 Ohms balanced
Data above applies if inserts 1 and 2 are not active.
If inserts 1 and 2 are active, input impedance depends on the units connected to inserts 1 and/or 2.
Insert 4 Send: ca. 75 Ohms unbalanced, ca. 150 Ohms balanced
Data above applies if insert 4 is active or all inserts are not active.
Monitor Output: ca. 75 Ohms unbalanced, ca. 150 Ohms balanced
Metering Output: ca. 10 Ohms unbalanced; ca. 20 Ohms balanced
|Volume Control||Ranges |
Input Trim: -6 dB to +6 dB
Insert Trim: -6 dB to +6 dB
Master Fader: -80 dB to +7 dB
Compensation Level: -12 dB to 0dB
|Measurements||Max. Input Level: 23.0 dBu|
Max. Output Level: 23.0 dBu
Frequency Range: 10 Hz to 100 kHz / -3 dB: <10 Hz to 200 kHz
CMR - Main Input: >70 dB, DAW Return: >70 dB, (@ 1 kHz, 0 dBu input level, unity gain)
THD&N - Rec. Output: 0.0015%, Monitor Output: 0.0015%, (1 kHz, +4 dBu input level, unity gain)
S/N ratio (A-weighted) - Rec. Output: < -99.0 dB, Monitor Output < -98.0 dB
Crosstalk L/R (@ 1 kHz) <98.0 dB
Dynamic range (not weighted) - Rec. Output: 118.5 dB, Monitor Output: 116.0 dB
|Power Supply||Toroidal transformer|
Power Supply for LEDs & Relays: 12V / 6.3 VA
Power Supply for Audio: 2 x 18V / 16 VA, LEDs & Relays: 12 V / 6.3 VA
Fuses 230 VAC: 50 Hz, 1A; 115 VAC: 60 Hz, 2A
Voltage Selector 115V / 230 VAC
Power Consumption 24 W
|Dimensions (W x H x D)||19 x 3.5 x 9.3" (482 x 88 x 237 mm) |
Depth including knobs and sockets: 10.4" (265 mm)
|Weight||12.1 lb (5.5 kg)|