Cherry Audio ODC 2800 Synthesizer

All aspects of the classic ARP® Instruments Odyssey synthesizers — the 1972 Mk I 2800 series, the 1975 Mk II 2810 series, and the 1978 Mk III 2820 series — have been meticulously replicated with precise detail, Additionally, ODC 2800 has been significantly enhanced with expanded functionality and modulation options, making it the ultimate expression of the legendary synth that inspired it, Award-winning synth designer Mark Barton's proprietary DSP coding perfectly reproduces every sonic nuance and response of the original synthesizers, Introduces a new look for Cherry Audio virtual instruments with the integration of an expandable panel for more immediate access to effects settings, Over 330 professionally-designed presets in 13 categories, Monophonic, Mono Legato, Duophonic, and Polyphonic modes with 1, 4, 8, or 16 voices, and unison, Three complete VCOs, each with sawtooth and square/pulse waveforms, VCO frequency with quantize options, Extended oscillator sync routing for VCO-2 to VCO-1 or VCO-3, and VCO-2 to VCO-1 or VCO-2, Three Frequency Modulators (FM) for each VCO, including an extra assignable modulator with 35 source options, Portamento with adjustable VCO-2 and VCO-3 delay settings, Smart portamento enhances polyphonic performance in a more musical fashion, Customizable options for PPC (Proportional Pitch Control) for Pitch Bend (+/-12 semitone range) and PPC modulation (+/-7 semitone range), Noise generator with white and pink, with additional violet and brown noise colors , Ring mod, and now cross-modulation between the VCOs possible through the assignable FM menus, Greatly expanded LFO options with two discrete LFOs, each with sine, triangle, square, sawtooth, and ramp waveforms, and options for mono or poly, key reset, and sync. Additional waveshaping options with pulse width and delay amount, Sample/Hold Mixer with assignable modulation sources, VCF filter emulation based on the three versions: Rev 1 4023 (12 dB/Oct, 2-pole) from the 2800; Rev 2 4035 (24 dB/Oct, 4-pole, ladder) from the 2810; and Rev 3 4075 (24 dB/Oct, 4-pole cascade) from the 2820, Highpass filter, Lowpass, bandpass, and highpass responses on all three VCFs, Selectable gain compensation on both 4-pole filters so you don’t lose bass at high resonance , Adjustable VCA drive, Individually assignable modulation controls in the mixer for VCOs, VCF and VCA with 33 possible sources, Two full ADSR Envelope Generators with velocity control, Trimmer-style Drift controls for VCO, VCF, and EG, Matching UI panel designs for Models 2800, 2810, and 2820 with UI lock option and hideable panel for keyboard and effects, Syncable dynamic arpeggiator with Swing, Chance, and Feel to add degrees of randomness to arpeggiated patterns in regular, order, or random play modes, Support for velocity, channel aftertouch, and polyphonic aftertouch with compatible USB/MIDI controllers, Three distinct assignable aftertouch controls with 24 destinations, New Effects panel with persistently accessible UI controls for on/off, solo, bipolar modulator amount slider, and dry/wet mix for each effect. Global FX on/off, level, and stereo expand, Integrated studio-quality pedal-style Effects: Distortion/EQ effect, Dual 4/8-stage Phaser, Flanger/Chorus, three Echo delays, and five Reverb types, Syncable discrete Effects Modulator (FX LFO) with ramp, saw, triangle, sine, square, and random waveforms and delay, Master Volume with Limiter, and Master Tune, Standalone virtual instrument and plug-in versions included, Super accurate DAW sync, Highly optimized coding for optimal performance with ultra-low CPU load, User-adjustable oversampling control, Complete MIDI control and DAW automation for all controls, with easy-to-use MIDI learn and mapping (Preset and Global), Cherry Audio's popular Focus zoom-in feature, as well as standard UI zoom and resize via drag, Complete documentation available directly online from the instrument or in downloadable PDF format, ARP® and ARP ODYSSEY® are registered trademarks of Korg Inc. There is no association, affiliation or endorsement of Cherry Audio or its products by Korg. References here to ARP and the Odyssey synthesizer by ARP Instruments are included as historical reference.